Savitri
A Legend and a Symbol

Chapter 4Occult Knowledge · The Place of Occult Knowledge in Yoga

Book 15. Part Five: Questions of Spiritual and Occult Knowledge · Section Four: Occult Knowledge and Powers

and responsible for their acts than the moralists, novelists and dramatists make them and I look rather to see what forces drove them than what the man himself may have seemed by inference to have intended or purposed — our inferences are often wrong and even when they are right touch only the surface of the matter.

* All life is the play of universal forces. The individual gives a personal form to these universal forces. But he can choose whether he shall respond or not to the action of a particular force. Only most people do not really choose — they undergo the play of the forces. Your illnesses, depressions etc. are the repeated play of such forces. It is only when one can make oneself free of them that one can be the true person and have a true life — but one can be free only by living in the Divine.

* Predestination and chance are words — words that obscure the truth by their extreme rigidity of definition. All is done through a play of forces which seems to be a play of different possibles, but there is Something that looks and selects and uses without being either blindly arbitrary (predestination) or capriciously decisive (chance).

* There is no question of responsibility.1 The “Something” does not act arbitrarily, paying no heed to the play of forces or the man’s nature. “Selects” does not mean “selects at random”. If a man puts himself on the side of or into the hands of the hostile influences and says, “This way I will go and no other. I want my ego, my greatness, my field of power and action”, has not the Something the right to say, “I agree. Go and find it — if you can”? On the other hand, if the balance of forces is otherwise, 1 The correspondent wrote, in regard to the preceding letter: “If there is Something that looks, selects and uses our actions, then it is not the play of forces that is responsible for any action; the ultimate responsibility lies with this Something.”

less on one side, the selection may be the other way, the saving element being present, and determine another orientation. But to understand the working of this Cosmic Something one must see not only the few outward factors observed by the human eye, but the whole working with all its multitudinous details — that one cannot do unless one is oneself in the cosmic consciousness and with some opening at least to the Overmind.

There is no such thing as “free” will, but there is the power of the Purusha to say “yes” or “no” to any particular pressure of Prakriti and there is the power of the mind, vital etc. to echo feebly or strongly the Purusha’s “yes” or “no” or to resist it. A constant (not a momentary) Yes or No has its effect in the play of the forces and the selection by the Something.

* No, of course not [helpful synchronicities are not just accidents]. But they seem so to all who live in the outward vision only. “Coincidence the scientists do them call.” But anyone with some intelligence and power of observation who lives more in an inward consciousness can see the play of invisible forces at every step which act on men and bring about events without their knowing about the instrumentation. The difference created by Yoga or by an inner consciousness — for there are people like Socrates who develop or have some inner awareness without Yoga — is that one becomes conscious of these invisible forces and can also consciously profit by them or use and direct them. That is all.

* I have not said [in the preceding letter] that everything is rigidly predetermined. Play of forces does not mean that. What I said was that behind visible events in the world there is always a mass of invisible forces at work unknown to the outward minds of men and by Yoga (by going inward and establishing a conscious connection with the cosmic Self and Force and forces) one can become conscious of these forces, intervene consciously in the play, to some extent at least determine things in the result of the play. All that has nothing to do with predetermination. On the